Nicht Vergessen. In collaboration with movement, vocals and piano by Wilson Paul Hicken.

PC: Michelle Reid @mreidphotog

This work is a continuation of “A room, A vestige” exploring grief and loss through the provocation of imagination and memories. Music and song play their own character, as they are a vessel for remembrance and time travel.

DAP Festival: Sant'Agostino. Pietrasanta, Italy

[In this one, nobody is dying] Mad Scene: Is an excerpt from the larger Movement theatre play but the same name. The cloth used was an extension of the choreographic exploration of the work Nicht Vergessen.

Music: excerpt from Giselle by Adoplhe Adam, recorded in Chicago by violist Nora Willams.

To read more about [In this one, nobody is dying], a collaboration with Philip Schaefer please see the write tab. Natalie-elizabeth.com/writing.

Alongside performing, Natalie was also given the opportunity to teach for the DAP festival in Pietrasanta, Italy 2023 under director Adria Ferrali.

“A room, A vestige” In collaboration with Maxwell Perkins.

Saudade In Collaboration with vocals by Miriam Leah. “Her skelton shell, pinnacle of the stage. Dim lit, breathing bones, ribs exposed, fingers tied in grief. A voice hovers, blowing her lonely knees, draped in smoked sorrow. The verse unwinds, the body grows, with a sucking thumb, four limbs thrown.”